
"Anatomy" is in no way a horrible representation of death
or the transience of life, but a realistic study of nature, as he himself
emphasised: "When drawing, the artist attends
and observes without interpreting. The point is not what something stands
for, but what it itself is. He wants to extract, in pictures and drawings,
what really matters."
The group of doctors at work and the inexorable
apparatus of the anatomy workshop are assembled to form a unity which has
a conciliatory lightness and liveliness, far removed from brutality or the
macabre. In 1935, Boeckl said in a broadcast lecture:
"I gained such deep insight into death and life, and in the many drawings
I made of dead people I learned to distinguish between the accidental and
the essential... After I had painted 'Anatomy', I was overcome by a great
feeling of desolation."
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